![]() When you open the inspector panel, you see several different options for customizing the text, and the options vary slightly depending on which title you’re working with. ![]() As with all of the effects and transitions in Resolve, the truly customizable aspect of the features comes to life in the inspector panel. However, I doubt you’ll ever modify text in that manner. When you’ve dragged your title onto the timeline, you can double-click the text bubble in the preview monitor to write the intended text, and you can also move and enlarge the text with the control points. The five presets are Left Lower 3 rd, Middle Lower 3 rd, Right Lower 3 rd, Scroll, and Text. ![]() Here you have five presets that you can drag onto the timeline - akin to Final Cut Pro. Resolve’s interface works by opening and extending panels, so to get to the titles, you need to open the effects library, and on the toolbox menu, scroll down until you reach titles. It’s a lot smarter and cleaner than the title panel in Adobe’s products. Resolve’s title generator isn’t revolutionary however, the user interface and the fluidity of the generator are certainly admirable. We’re going to attempt to recreate a title card from Kill Bill, and a typical lower third you would expect to see on a news broadcast. Let’s have a look at Resolve’s title generator to see how well it performs. ![]() Since the release of 12.5 (and now at v.14), DaVinci Resolve has been making advances across the board to garner recognition not only as a leading color grading software but also as a professional NLE. While title generators are not the defining element of an NLE, it would be great to have an NLE that can do a little bit more with titles than the same functions we’ve seen over and over. In this review, we take a look at the Title Generator’s performance. DaVinci Resolve has made strides to expand beyond its color-grading background.
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